Posts Tagged ‘Marketing’

Yeah Bot, No Bot…

bot

Bots! Twitter bots to be precise. Mention a certain keyword and Shakespeare or Tyler Durden, All-The-Cheeses or Bot Marley will have something to say in response. In doing so they take something away from the personal interaction of Twitter.

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Facebook seeks ‘like’ from Japan

thumbs

With more than 583 million members including 60% of US Internet users you could be forgiven for thinking that Facebook didn’t have much further to go before it achieved complete global domination. In Japan it’s a very different story, evidence of a chasm between Eastern and Western sensibilities. Rachel Pictor explores the issue which was reported this month in The New York Times.

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Are you a Social Organisation?

people

What does it mean to be a social organisation versus one that uses social media? Too many Managing Directors think of social media as online tools that sit well and truly in the Communications Department. More often than not, those tools are handled by digital natives on their behalf, those people who have a familiarity with social media that senior management do not. This leaves a significant deficit of understanding at the heart of many management teams and at the core of brand and businesses strategies about how to really adapt to, and make the most of, social media.

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You Are What You Tweet

tweet

There is no denying that social media guidelines come into their own for large organisations trying to represent their culture online. But think of the people watching and listening to you. In a world where everyone’s vying for work let’s face it, if engaging the social media savvy employers would be foolish not to research what they’re getting. Can something be learnt from the marketing awareness of busines when creating our personal brands? Here are some social media policy snippets to inspire from the caring but corporate

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Internet Fandom: Is this Information Overload?

Screen shot 2010-09-30 at 14.35.31

Social media and technology has changed the way entertainers, businesses and organisations communicate with their fans and customers. media140 writer and digital marketing executive Tony Wright highlights the downside of over exposure through social media.

You can find out more about Tony on his blog or follow him on Twitter.

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Creative Selling, or Selling Out? Social Media and Art

Image courtesy of www.sothebys.com
Image courtesy of www.sothebys.com

Amber Daines has spent a good part of the past decade working with visual artists and galleries, both in the virtual and ‘bricks and mortar’ spheres across several countries.

She was curious to get the latest thinking on whether the traditional art gallery experience has died or sunk to secondary importance in the race to grab the attention of modern art lovers.

Amber asked a host of gallery dealers and artists from Australia to England – with a brief stop in Dubai – whether social media has made the art world a more relevant and culturally challenging place to be.

The verdict? Well, it depends who you ask.
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Mobile Online Shopping – It’s a Moving Experience

Mobile Shopping

Are you out and about, reading this post on a smartphone?

If so, you are part of a growing number of consumers – one in four in the United Kingdom – whom businesses can no longer afford to ignore. However, playing the mobile marketing game carries some risks – other retailers are now in the position to whisk your customers away with a single push-notification, writes Gareth Harmer.

Gareth is a passionate early-adopter of all things techie and cool who designs products for a British mobile telecommunications company. For more of his musings on how businesses and media outlets could be using the real-time web to greater advantage, check out his geekblog.

If you are a business-person who is real-time-web-savvy enough to be reading Media140, chances are you have your social media strategy pretty well sorted, with staples like Twitter and Facebook and perhaps even a corporate blog as well.

Good for you!

However, there is a whole other audience who may be slipping silently out of your reach, should they simply leave the chair in front of their home or work computer.

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The F-word and How to Get it (Followed, that is)

Social media might be a relatively new addition to our personal and business lives but it already has an etiquette. Fall foul of a few unwritten rules and you could end up with egg on your face, or – in the case of a corporate body – a severely damaged bottom line.

Fortunately, along with this etiquette there have also arisen some switched-on individuals who know not only the rules of engagement, but also how to maximise impact in this arena of change.

One such person is Gareth Harmer (@gazimoff), who has written this piece giving businesses an idea of what makes the difference between ‘follow’ and ‘unfollow’ in the Twitterverse.

I was recently in a supermarket doing my weekly shop when the dreaded tannoy clicked into action. The traditional nasal voice droned out that there was a special offer on in their electrical department. I had the urge to shout back at the disembodied monotone that the offer was mediocre at best, but had no desire to get thrown out and return home without my shopping.

The point is that there was an understood protocol in action – the supermarket could drone on at me about anything it liked, and I had to keep my comments to myself.

Each communications medium develops its own unwritten rules. Those who don’t follow them are ignored or even blocked – much like the person who thinks it’s a great idea to start phoning at 2am every other day to tell you about the great time they had out on the town, or the emailer who is too liberal with the ‘reply all’ button.

It takes time, but eventually most people learn the strange little rules of each new tool and work within them, as individuals and as businesses.

When a new tool arrives on the scene, it takes time to figure out its associated rules and faux pas.

In Twitter’s case that may have taken longer because nothing else really lined up to the experience it offers. Users grappled to understand: is it like instant messaging or Facebook status updates? Is it like email? What about forums or RSS feeds?

Twitter doesn’t fit neatly into any of these categories, but it has elements of all of them, and arguably it embodies the way the whole web has changed, taking the rules of engagement along with it.

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“You really ought to smell this coffee!” Why a Twitter presence is now a no-brainer for any savvy brand or business

Cast even a perfunctory eye at the Twitterverse throughout the day and you will clock 100s of Tweets which refer to businesses or brands – from a simple coffee shop through on-line retailers to the biggest global technology giants. A single tweeted opinion can generate a rash of responses all involving the same brand or service. Whether these respondents agree or disagree with the original tweet, the conversation provides a real time, often heartfelt, source of consumer opinion – one which cannier companies are now realising they would be blinkered to dismiss.

For MKTG140, Media140′s Man with the Mic, Glenn LeSanto talks to some of these braver businesses about their experiences of leaping – even tentatively – onto the Social Media bandwagon. His conclusions may surprise you.

Twitter, the popular micro-blogging website, has rapidly grown to become one of the world’s busiest websites in a relatively short period of time over the last 24 months.

While Twitter has plenty of detractors, who claim, among other things, that it is full of banality and inconsequential drivel, it is already proving to be an essential tool in business. Clever companies worldwide have woken up to Twitter’s potential for connecting them to customers, both old and new. The truth is that, while people do occasionally tweet what they had for breakfast, they also engage in a lively exchange of information, contacts, knowledge and opinion on all levels, from the banal to the highly intellectual and even analytic.

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Oil Riggers or Astronauts? Do Brands really need specialist agencies to blow up the Social Media asteroid?

The advent of the Social Web has seen an explosion in new, new media agencies, clamouring to tell brands how to make the most of these shiny new marketing opportunities: just what should they be Tweeting? How best to work that Facebook fan page?

But it’s hardly rocket science, or is it? And where does this leave the traditional media agencies? Are they desperately playing catch-up or or are they quickly cottoning on? For #MKTG140, George Spencer asks whether brands actually need to employ whizzy new, stand alone boutiques to manage their presence across the rash of sometimes bewildering new web platforms.

Newly-inducted managers at NASA are reportedly made to watch the 1998 film Armageddon, noting as many scientific inaccuracies in the movie as they can spot. At least 168 technically impossible details have been identified during these screenings.

It doesn’t, however, to take a NASA manager to spot the howler on which the entire plot hinges. The NASA brains in Armageddon decide not to bother training their best astronauts to use drills (with which to dig a hole on the deadly asteroid, bury a nuclear warhead and blow the rocky aggressor to bits before it collides with our fair planet.) Probably way too easy for your average astronaut?

Instead, they decide that a more efficient use of the limited time before the expected apocalyptic impact is to assemble a team comprised of the world’s best drillers; train them up as astronauts, and then send them up, to do the already tricky job of landing on the cosmic body hurtling towards Earth at breakneck speed.

Unsurprisingly, nobody is especially confident of the plan; the sole purpose of Billy-Bob Thornton’s character, NASA chief Dan Truman, appears to be to emphasise just how goddamn risky the entire endeavour is. The film is peppered with shots of furrowed brows, “goddamnsonuvabitches” and similar forebodings.

NASA’s barmy Armageddon plan came to my mind more than once during the recent Media140 brands event in London when many of the presenters returned, again and again, to discussing the schism between traditional marketing agencies and the swelling crop of specialist ‘social media’ agencies.

One specific and heated topic was whether the “Social Web” per se was something which was being pushed onto clients by the agencies; and whether companies should be outsourcing their Twitter feeds, for example, to specialists. Many of the companies represented at the event, such as “We Are Social” referred to themselves pointedly as a ‘conversation agency’. Others, such as Ogilvy made no bones about being a more traditional (and by implication, broader) firm. The question I yearned to ask every time this came up was whether anyone believed that, just maybe, we’re in the process of training the oil riggers to be astronauts with these divergent approaches on offer?

During the Survivor’s Club panel, James Hart, Director of E-Commerce at ASOS was asked whether ASOS would persist with Twitter if its user-base dwindled, like so many social networking sites before it. His reaction was telling. He looked utterly perplexed. He explained: “No. We’re about being where our customers are. There wouldn’t be any point if we aren’t reaching people, it’s just a new way [of reaching people].”

I believe that this is the key to the entire revolution. We may be witnessing internal reshuffles, both at traditional agencies and at the brands themselves to better accommodate the altered landscape of the Social Web. However, the core disciplines have not changed. If you want to provide customer service on Twitter, you need to have CS teams who know how to deliver a consistent brand message and who appreciate the gravity of their task. Nothing about Twitter is different for Customer Service, except, perhaps, for the semi-public nature of the conversation?

All of which begs the question: do brands need specialised agencies to work with on their Social Web presence, when most larger agencies are already equipped to provide solutions across a broader spectrum?

As Tom Bedecarré wryly noted in his introductory keynote, of Twitter’s 40 million users, 35 million of them are social media gurus. However, I am not suggesting that We Are Social or other specialised social web agency does things any old Twitter-user could do; they tie the strands of different platforms together and have experience running campaigns across them – but these are platforms designed for humans to use. It’s not the same as producing a TV advertisement; it doesn’t require that kind of specialised knowledge and expertise.

Robin Grant, head of We Are Social, was quizzed over his concerns regarding client attitudes towards the social web; and specifically whether he felt it might be a transient phenomenon. “That’s one of our fears, both internally at We Are Social and as a member of the community. There are clients who are just interested in social media because they are chasing the new toy, and that will create a backlash.”
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